The Painter of Souls - Tapa dura

A compelling story that takes place in a world that Kazan imbues with all the sights, sounds, and smells of fifteenth-century Florence.

Kazan has built a beautiful novel, lit from within by the luminosity of the art he describes. Kazan effectively draws the reader into the world of Renaissance Florence in all its glory and squalor. His main characters are believable and complex, and the language he uses is precise and luminous.

Kazan conjures up Florence as a magnificent stew of street life: market sellers, beggars, gangs, petty criminals, pretty boys turning tricks in the shadows, all characters who, in the hands of the right painter, might light up church walls with their spontaneous flawed humanity. The process of creation is finely drawn, both the physical labor and the meditative concentration it -induces. Kazan clearly loves Lippi's work and this affection saturates his writing.

Beauty can be a gift—or a wicked temptation.So it is for Filippo Lippi, growing up in Renaissance Florence. He has a talent—not only can he see the beauty in everything, he can capture it, paint it. But while beauty can seduce you and art can transport you—it cannot always feed you or protect you.To survive, Pippo Lippi, orphan, street urchin, budding rogue, must first become Fra Filippo Lippi: Carmelite friar, man of God. His life will take him down two paths at once. He will become a gambler, a forger, a seducer of nuns; and at the same time he will be the greatest painter of his time, the teacher of Botticelli and the confidante of the Medicis.So who is he really—lover, believer, father, teacher, artist? Is anything true except the paintings?