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"It is impossible to exaggerate the power of this short, unbearably poignant novel. It is both brutal and lyrical. Makine consciously invokes Chekhov but his grasp of history is positively Tolstoy-like in scale. I can't think of a writer who would be a more deserving recipient of the Nobel literature prize." --Mail on Sunday
"Makine's laconic, sardonic portrait of the new Russia is laced with fury . . . a bold and eloquent novel." --The Guardian
"Like all his work, this novel has a wonderful flavor of a contemporary Chekhov with a splash of Proust. . . . What starts out an intimate account bursts out into something more ambitious and universal. Ultimately it's a haunting story, beautifully told." --The Observer
"Seamlessly translated by Geoffrey Strachan, Makine's novel explores the attempt of two 'ordinary' people to transcend suffering and find life's essential meaning. It is difficult to write without sentimentality about such a subject, but Makine's intelligence and truthfulness dismiss banality." --Pamela Norris, Literary Review
"Told with an intimacy made potent by Makine's lyrical, spare prose and Strachan's lucid translation. . . reconnects both the reader and the protagonist with Russia's blood soaked history, to startling effect." --The Financial Times
"Thrilling . . . Makine's most beautiful novel since [Dreams of My Russian Summers]." --Le Figaro
A deeply moving meditation on memory, history, love, and art by the author of Dreams of My Russian Summers
In The Life of an Unknown Man, Andreï Makine explores what truly matters in life through the prism of Russia's past and present.
Shutov, a disenchanted writer, revisits St. Petersburg after twenty years of exile in Paris, hoping to recapture his youth. Instead, he meets Volsky, an old man who tells him his extraordinary story: of surviving the siege of Leningrad, the march on Berlin, and Stalin's purges, and of a transcendent love affair. Volsky's life is an inspiration to Shutov -- because for all that he suffered, he knew great happiness. This depth of feeling stands in sharp contrast to the empty lives Shutov encounters in the new Russia, and to his own life, that of just another unknown man . . .
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