Sycamore Row: John Grisham - Tapa blanda

A solid courtroom thriller with plenty to say about the long half-life of prejudice in the deep south... The much-trailed conclusion is powerful. * Guardian * As with earlier books by Grisham, what we are given here is the purest of unvarnished storytelling. Grisham has no truck with any studied elegance of style; he is more in touch with the strategies played out in the books of such predecessors as Erle Stanley Gardner and his dogged attorney, Perry Mason. But he knows that modern readers require a conflicted, multifaceted hero, and that he provides in Jake Brigance. It's good to see the troubled attorney back. * The Independent * Grisham's decision to revive Brigance after almost 25 years and write what amounts to a historical novel is intriguing. He has produced a solid courtroom thriller with plenty to say about the long half-life of prejudice in the deep south. (Segregation, too: when Brigance invites Lang's 25-year-old daughter, Portia, home to dinner, he realises she is the first black person ever to have eaten in his house.) Coming so close on the heels of last year's The Racketeer, however, Sycamore Row can't help but disappoint. That novel, about a small-town lawyer jailed for accidentally laundering money, was a blast - as devious and unpredictable as its sociopathic antihero narrator. * Guardian * 'The Litigators is a thrilling romp through the murky world of lawsuits and shysters - rich and poor. Packed with [Grisham's] signature twists and turns, not to mention lots of double-dealing, be careful if you're reading The Litigators on the bus, you may just miss your stop' * Irish Independent * 'The Litigators is up there with the best of Grisham's 25 novels... vintage Grisham. [His] style is direct and the result is a superbly plotted legal thriller' * Sunday Express * Praise for THE LITIGATORS: 'Grisham is brilliantly comic in a novel that is full of zest and brimming with memorable characters and rich storylines... The legal storylines are typically rich in social detail and instances of entertaining rascality... Away from his usual southern turf, Grisham is turned by Chicago into a more Dickensian writer, soft-hearted at times but predominantly funny... a brilliant comic set piece' * The Sunday Times * A gripping read * Literary Review * Sycamore Row bristles with all the old authority....It's good to see the troubled attorney back * Independent * No one does it better than Grisham * Daily Telegraph * The best thriller writer alive -- Ken Follett

Jake Brigance has never met Seth Hubbard, or even heard of him, until the old man's suicide note names him attorney for his estate. The will is dynamite. Seth has left ninety per cent of his vast, secret fortune to his housemaid. The vultures are circling even before the body is cold: the only subject more incendiary than money in Ford County is race, and this case has both. AS the relatives contest the will, and unscrupulous lawyers hasten to benefit, Jake searches for answers to the many questions left by Seth Hubbard's death: What made him write that last-minute will leaving everything to a poor black woman named Lettie Lang? Why did he choose to kill himself on the desolate piece of land known as Sycamore Row? And what was it that Seth and his brother witnessed as children that, in his words, 'no human should ever see'? In the long-awaited successor to the novel that launched his phenomenal career, John Grisham brings us the powerful sequel to A Time to Kill. As filled with page-turning twists as it is with legal mastery, Sycamore Row proves beyond doubt that John Grisham is in a league of his own.