Gods And Beasts - Tapa blanda

I am beginning to believe that Denise Mina is the finest contemporary exponent of British crime fiction, and that the Glasgow Detective Sergeant Alex Morrow is becoming its most interesting copper....Mina is terrific, too, at portraying the social and political backdrops that envelop her plots. (THE TIMES)

Mina is at the top of her game and weaves together the various threads of the story with a contrapuntal skill that Bach would have been proud of... this gripping read makes GODS AND BEASTS perhaps Mina's strongest novel so far. (MORNING STAR)

For aficionados of the genre there is a great deal to admire, not just in the elegance of the plotting... Mina's writing is lithe and spare, but alert... Readers inclined to be sniffy about genre fiction would do well to read Mina. As the parallel series progress they become more than the some of the individual novels, and metamorphose into a kind of 21st century Comedie Humaine - a excoriating look at the way that we live, and die, now. (SCOTSMAN)

GODS AND BEASTS is vintage Mina: a complex three-ply plot involving a shooting, blackmail and corruption, all described with hard-hitting prose and psychological acuity. (SUNDAY TELEGRAPH)

Denise Mina is riding high at the moment, having won the prestigious Crime Novel of the Year award for her last book, THE END OF THE WASP SEASON. It was well deserved because that novel, Mina's ninth and the second to feature Detective Superintendent Alex Morrow, was an expert psychological deconstruction of the credit crunch, as well as a page-turning police procedural to boot. If anything, GODS AND BEASTS is even better... One of the best things about her crime novels is her natural tendency to duck out of the way of the genre's clichés...real characters struggling with their jobs, their families and their lives, the same as anyone else... GODS AND BEASTS confirms Mina's place at the front of the crime-writing pack. (INDEPENDENT ON SUNDAY)

Ostensibly a police procedural, GODS AND BEASTS has much more to it...What the elaborate and cleverly crafted plot concerns, as Morrow identifies, is not simply detection but 'being decent'. An excellent novel. (LITERARY REVIEW)

[H]er work continues to demonstrate the impressive expertise that has always been her hallmark, very much the case with Gods and Beasts... As ever with Mina, it is the idiomatic dialogue and rich characterisation that keep things moving at such a satisfying rate (GOOD BOOK GUIDE)

[A] darkly gripping story (TELEGRAPH & ARGUS)

Idiomatic dialogue and rich characterisation keep things moving at a satisfying rate (GOOD BOOK GUIDE)

"There's no going wrong with a Denise Mina mystery." (Entertainment Weekly)

It's the week before Christmas when a lone robber bursts into a Glasgow post office carrying an AK-47. An elderly man suddenly hands his young grandson to a stranger and helps the gunman fill bags with cash. He opens the door for the gunman and bows his head; the robber shoots the grandfather, tearing him in two.

DS Alex Morrow arrives on the scene and finds that the alarm system had been disabled before the robbery. Yet none of the employees can be linked to the gunman. And the grandfather is above reproach. As Morrow searches for the killer, she uncovers a hidden, sinister political network. Soon it is chillingly clear: no corner of the city is safe, and her involvement will go deeper than she could ever have imagined.