Kill 'em and Leave: Searching for James Brown and the American Soul

The definitive look at one of the greatest, most important entertainers, The Godfather, Da Number One Soul Brother, Mr. Please, Please Himself JAMES BROWN. Spike Lee
"Please, please, please" Can anybody tell us who and what was "James Brown"? At last, the real deal: James McBride on James Brown is the matchup we ve been waiting for, a musician who came up hard in Brooklyn with JB hooks lodged in his brain, a monster ear for the truth, and the chops to write it. This is no celeb bio but a compelling personal quest so very timely, angry, hilarious, and as irresistible as any James Brown beat. It s a must for anyone, as JB sang it, Living in America. Read it, and your brain won t sit still. Gerri Hirshey, author of "Nowhere to Run: The Story of Soul Music"
National Book Award winner McBride dissects the career, legacy, and myth of the Godfather of Soul. One of the most iconic figures in pop music, James Brown is also one of the most unknown and falsely represented figures in American cultural history. . . . An unconventional and fascinating portrait of Soul Brother No. 1 and the significance of his rise and fall in American culture. " Kirkus Reviews""

Thoughtful and probing . . . with great warmth, insight and frequent wit. The results are partisan and enthusiastic, and they helped this listener think about the work in a new way. . . . James McBride s welcome elucidation . . . is clear, deeply felt and unmistakable. Rick Moody, The New York Times Book Review

The author of the best-selling memoir The Color of Water and the National Book Award winning novel The Good Lord Bird turns out to also be the biographer of James Brown we ve all been waiting for. . . . McBride s true subject is race and poverty in a country that doesn t want to hear about it, unless compelled by a voice that demands to be heard. Boris Kachka, New York
Masterly . . . powerful . . . McBride provides an invaluable service to the history of R&B. . . . In illuminating what James Brown meant to our culture, we re in good hands with the impassioned McBride: a fellow musician, he knows this world from within, knows what the music did and why it mattered. Los Angeles Review of Books
Kill 'Em and Leaveis a feat of intrepid journalistic fortitude. . . . McBride does not lecture but he does preach. As a result his writing rings out with righteous passion. . . . Readers will be grateful for everything he has exposed here the good and the bad, much of it hitherto unknown. Somewhere, even James Brown is probably saying thanks. USA Today
This is an important book about an important figure in American musical history and about American culture. . . . You won t leave this hypnotic book without feeling that James Brown is still out there, howling. The Boston Globe
Illuminating . . . engaging. The Washington Post
A stunningly unorthodox book, indifferent to the conventions of biographical nonfiction . . . McBride provides something lacking in most of the books about James Brown: an intimate feeling for the musician, a veracious if inchoate sense of what it was like to be touched by him. . . . It may be as close [to the real James Brown ] as we ll ever get. David Hajdu, The Nation
McBride s energetic storytelling, his sympathy for his subject and his deeply personal writing tell a sad tale of one of our most influential musicians. BookPage
A gorgeously written piece of reportage that gives us glimpses of Brown s genius and contradictions. O: The Oprah Magazine
Kill Em and Leave is a tight assemblage of reporting, biography, and cultural dissection, held together by McBride s gutty, jangling, and sometimes smoldering voice. . . . McBride gets us closer than anyone else has close enough to feel the voltage from twentieth-century music s most electrifying showman. Jonathan Miles, Garden & Gun
The definitive look at one of the greatest, most important entertainers, The Godfather, Da Number One Soul Brother, Mr. Please, Please Himself JAMES BROWN. Spike Lee
Please, please, please Can anybody tell us who and what was James Brown? At last, the real deal: James McBride on James Brown is the matchup we ve been waiting for, a musician who came up hard in Brooklyn with JB hooks lodged in his brain, a monster ear for the truth, and the chops to write it. This is no celeb bio but a compelling personal quest so very timely, angry, hilarious, and as irresistible as any James Brown beat. It s a must for anyone, as JB sang it, Living in America. Read it, and your brain won t sit still. Gerri Hirshey, author of Nowhere to Run: The Story of Soul Music
National Book Award winner McBride dissects the career, legacy, and myth of the Godfather of Soul. One of the most iconic figures in pop music, James Brown is also one of the most unknown and falsely represented figures in American cultural history. . . . An unconventional and fascinating portrait of Soul Brother No. 1 and the significance of his rise and fall in American culture. Kirkus Reviews

From the Hardcover edition."

"Thoughtful and probing . . . with great warmth, insight and frequent wit. The results are partisan and enthusiastic, and they helped this listener think about the work in a new way. . . . James McBride's welcome elucidation . . . is clear, deeply felt and unmistakable."--Rick Moody, The New York Times Book Review

"The author of the best-selling memoir The Color of Water and the National Book Award-winning novel The Good Lord Bird turns out to also be the biographer of James Brown we've all been waiting for. . . . McBride's true subject is race and poverty in a country that doesn't want to hear about it, unless compelled by a voice that demands to be heard."--Boris Kachka, New York

"Masterly . . . powerful . . . McBride provides an invaluable service to the history of R&B. . . . In illuminating what James Brown meant to our culture, we're in good hands with the impassioned McBride: a fellow musician, he knows this world from within, knows what the music did and why it mattered."--Los Angeles Review of Books

"Kill 'Em and Leave is a feat of intrepid journalistic fortitude. . . . McBride does not lecture but he does preach. As a result his writing rings out with righteous passion. . . . Readers will be grateful for everything he has exposed here--the good and the bad, much of it hitherto unknown. Somewhere, even James Brown is probably saying thanks."--USA Today

"This is an important book about an important figure in American musical history and about American culture. . . . You won't leave this hypnotic book without feeling that James Brown is still out there, howling."--The Boston Globe

"Illuminating . . . engaging."--The Washington Post

"A stunningly unorthodox book, indifferent to the conventions of biographical nonfiction . . . McBride provides something lacking in most of the books about James Brown: an intimate feeling for the musician, a veracious if inchoate sense of what it was like to be touched by him. . . . It may be as close [to 'the real James Brown'] as we'll ever get."--David Hajdu, The Nation

"McBride's energetic storytelling, his sympathy for his subject and his deeply personal writing tell a sad tale of one of our most influential musicians."--BookPage

"A gorgeously written piece of reportage that gives us glimpses of Brown's genius and contradictions."--O: The Oprah Magazine

"Kill 'Em and Leave is a tight assemblage of reporting, biography, and cultural dissection, held together by McBride's gutty, jangling, and sometimes smoldering voice. . . . McBride gets us closer than anyone else has--close enough to feel the voltage from twentieth-century music's most electrifying showman."--Jonathan Miles, Garden & Gun

"The definitive look at one of the greatest, most important entertainers, The Godfather, Da Number One Soul Brother, Mr. Please, Please Himself--JAMES BROWN."--Spike Lee

"Please, please, please Can anybody tell us who and what was James Brown? At last, the real deal: James McBride on James Brown is the matchup we've been waiting for, a musician who came up hard in Brooklyn with JB hooks lodged in his brain, a monster ear for the truth, and the chops to write it. This is no celeb bio but a compelling personal quest--so very timely, angry, hilarious, and as irresistible as any James Brown beat. It's a must for anyone, as JB sang it, 'Living in America.' Read it, and your brain won't sit still."--Gerri Hirshey, author of Nowhere to Run: The Story of Soul Music

"National Book Award winner McBride dissects the career, legacy, and myth of the Godfather of Soul. One of the most iconic figures in pop music, James Brown is also one of the most unknown and falsely represented figures in American cultural history. . . . An unconventional and fascinating portrait of Soul Brother No. 1 and the significance of his rise and fall in American culture."--Kirkus Reviews

From the Hardcover edition.

National Book Award winner James McBride goes in search of the “real” James Brown after receiving a tip that promises to uncover the man behind the myth. His surprising journey illuminates not only our understanding of this immensely troubled, misunderstood, and complicated soul genius but the ways in which our cultural heritage has been shaped by Brown’s legacy.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR · LOS ANGELES TIMES BOOK PRIZE FINALIST

Kill ’Em and Leave is more than a book about James Brown. Brown’s rough-and-tumble life, through McBride’s lens, is an unsettling metaphor for American life: the tension between North and South, black and white, rich and poor. McBride’s travels take him to forgotten corners of Brown’s never-before-revealed history: the country town where Brown’s family and thousands of others were displaced by America’s largest nuclear power bomb-making facility; a South Carolina field where a long-forgotten cousin recounts, in the dead of night, a fuller history of Brown’s sharecropping childhood, which until now has been a mystery. McBride seeks out the American expatriate in England who co-created the James Brown sound, visits the trusted right-hand manager who worked with Brown for forty-one years, and interviews Brown’s most influential nonmusical creation, his “adopted son,” the Reverend Al Sharpton. He describes the stirring visit of Michael Jackson to the Augusta, Georgia, funeral home where the King of Pop sat up all night with the body of his musical godfather, spends hours talking with Brown’s first wife, and lays bare the Dickensian legal contest over James Brown’s estate, a fight that has consumed careers; prevented any money from reaching the poor schoolchildren in Georgia and South Carolina, as instructed in his will; cost Brown’s estate millions in legal fees; and left James Brown’s body to lie for more than eight years in a gilded coffin in his daughter’s yard in South Carolina.

James McBride is one of the most distinctive and electric literary voices in America today, and part of the pleasure of his narrative is being in his presence, coming to understand Brown through McBride’s own insights as a black musician with Southern roots. Kill ’Em and Leave is a song unearthing and celebrating James Brown’s great legacy: the cultural landscape of America today.

Praise for Kill ’Em and Leave

“Thoughtful and probing . . . with great warmth, insight and frequent wit.”—Rick Moody, The New York Times Book Review

“[McBride] turns out to also be the biographer of James Brown we’ve all been waiting for. . . . McBride’s true subject is race and poverty in a country that doesn’t want to hear about it, unless compelled by a voice that demands to be heard.”—Boris Kachka, New York

“The definitive look at one of the greatest, most important entertainers, The Godfather, Da Number One Soul Brother, Mr. Please, Please Himself—JAMES BROWN.”—Spike Lee

“A feat of intrepid journalistic fortitude.”—USA Today
 
“This is an important book about an important figure in American musical history and about American culture. . . . You won’t leave this hypnotic book without feeling that James Brown is still out there, howling.”—The Boston Globe
 
“Illuminating . . . engaging.”—The Washington Post