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9780140450309: Plays Political: The Apple Cart, On the Rocks, Geneva
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While some of Shaw’s earlier plays are still performed, his later plays, such as the ones in this volume, are barely known. As the collective title indicates, the themes here are political; yet, frankly, it is doubtful how seriously we can now take Shaw as a political thinker. Despite writing in the 1930s, he has little to say of the nature of totalitarianism: although he satirises Fascist dictators in “Geneva”, the satire is disappointingly mild. Neither did Shaw appear to foresee (on the evidence of these plays, at least) the imminent collapse of the British Empire.But it is Shaw the dramatist rather than Shaw the political philosopher who still holds our attention – even in plays as explicitly political as these. He had a sharp intellect and a quirky sense of humour, and his dialogue still glints and sparkles: he couldn’t write a dull line if he tried. No matter how serious the themes he addresses, the crispness of his writing and his lightness of touch still scintillate.Shaw seems, perhaps unfairly, out of fashion nowadays. But even in these lesser-known works, he demonstrates his matchless ability, still undimmed, to provoke and to entertain.
Biografía del autor:

BERNARD SHAW was born in Dublin in 1856. After his arrival in London in 1876 he became an active Socialist and a brilliant platform speaker. He wrote on many social aspects of the day: on Common Sense about the War (1914), How to Settle the Irish Question (1917) and The Intelligent Woman’s Guide to Socialism and Capitalism (1928). He undertook his own education at the British Museum and consequently became keenly interested in cultural subjects. Thus his prolific output included music, art and theatre reviews, which were collected into several volumes such as Music in London 1890–1894 (3 vols, 1931); Pen Portraits and Reviews (1931); and Our Theatres in the Nineties (3 vols, 1931). He also wrote five novels and some shorter fiction, including The Black Girl in Search of God and Some Lesser Tales and Cashel Byron’s Profession, both published in Penguin’s Bernard Shaw Library.

He conducted a strong attack on the London theatre and was closely associated with the intellectual revival of British theatre. His plays fall into several categories: ‘Plays Pleasant’; ‘Plays Unpleasant’; comedies; chronicle-plays; ‘metabiological Pentateuch’ (Back to Methuselah, a series of plays); and ‘political extravaganzas’. Bernard Shaw died in 1950.

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  • EditorialPenguin Classics
  • Año de publicación1990
  • ISBN 10 0140450300
  • ISBN 13 9780140450309
  • EncuadernaciónTapa blanda
  • Número de páginas464
  • Valoración
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Otras ediciones populares con el mismo título

9780140482041: Plays Political: The Apple Cart:A Political Extravaganza; On the Rocks:A Political Comedy; Geneva:Another Political Extravaganza

Edición Destacada

ISBN 10:  0140482040 ISBN 13:  9780140482041
Editorial: Penguin, 1986
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Descripción Paperback. Condición: new. Paperback. While some of Shaw's earlier plays are still performed, his later plays, such as the ones in this volume, are barely known. As the collective title indicates, the themes here are political; yet, frankly, it is doubtful how seriously we can now take Shaw as a political thinker. Despite writing in the 1930s, he has little to say of the nature of totalitarianism- although he satirises Fascist dictators in "Geneva", the satire is disappointingly mild. Neither did Shaw appear to foresee (on the evidence of these plays, at least) the imminent collapse of the British Empire.But it is Shaw the dramatist rather than Shaw the political philosopher who still holds our attention - even in plays as explicitly political as these. He had a sharp intellect and a quirky sense of humour, and his dialogue still glints and sparkles- he couldn't write a dull line if he tried. No matter how serious the themes he addresses, the crispness of his writing and his lightness of touch still scintillate.Shaw seems, perhaps unfairly, out of fashion nowadays. But even in these lesser-known works, he demonstrates his matchless ability, still undimmed, to provoke and to entertain. Raises doubts on how seriously we can take Shaw as a political thinker. This title states that despite writing in the 1930s, he has little to say of the nature of totalitarianism. It shows that although he satirises Fascist dictators in "Geneva", the satire is disappointingly mild. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780140450309

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Descripción Paperback. Condición: new. Paperback. While some of Shaw's earlier plays are still performed, his later plays, such as the ones in this volume, are barely known. As the collective title indicates, the themes here are political; yet, frankly, it is doubtful how seriously we can now take Shaw as a political thinker. Despite writing in the 1930s, he has little to say of the nature of totalitarianism- although he satirises Fascist dictators in "Geneva", the satire is disappointingly mild. Neither did Shaw appear to foresee (on the evidence of these plays, at least) the imminent collapse of the British Empire.But it is Shaw the dramatist rather than Shaw the political philosopher who still holds our attention - even in plays as explicitly political as these. He had a sharp intellect and a quirky sense of humour, and his dialogue still glints and sparkles- he couldn't write a dull line if he tried. No matter how serious the themes he addresses, the crispness of his writing and his lightness of touch still scintillate.Shaw seems, perhaps unfairly, out of fashion nowadays. But even in these lesser-known works, he demonstrates his matchless ability, still undimmed, to provoke and to entertain. Raises doubts on how seriously we can take Shaw as a political thinker. This title states that despite writing in the 1930s, he has little to say of the nature of totalitarianism. It shows that although he satirises Fascist dictators in "Geneva", the satire is disappointingly mild. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Nº de ref. del artículo: 9780140450309

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Descripción Paperback. Condición: new. Paperback. While some of Shaw's earlier plays are still performed, his later plays, such as the ones in this volume, are barely known. As the collective title indicates, the themes here are political; yet, frankly, it is doubtful how seriously we can now take Shaw as a political thinker. Despite writing in the 1930s, he has little to say of the nature of totalitarianism- although he satirises Fascist dictators in "Geneva", the satire is disappointingly mild. Neither did Shaw appear to foresee (on the evidence of these plays, at least) the imminent collapse of the British Empire.But it is Shaw the dramatist rather than Shaw the political philosopher who still holds our attention - even in plays as explicitly political as these. He had a sharp intellect and a quirky sense of humour, and his dialogue still glints and sparkles- he couldn't write a dull line if he tried. No matter how serious the themes he addresses, the crispness of his writing and his lightness of touch still scintillate.Shaw seems, perhaps unfairly, out of fashion nowadays. But even in these lesser-known works, he demonstrates his matchless ability, still undimmed, to provoke and to entertain. Raises doubts on how seriously we can take Shaw as a political thinker. This title states that despite writing in the 1930s, he has little to say of the nature of totalitarianism. It shows that although he satirises Fascist dictators in "Geneva", the satire is disappointingly mild. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9780140450309

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